The Northwoods of Minnesota, in the ’60s and ’70s, was a blue collar enclave of iron mining communities. The women and children worked hard on the home front while the men (and a very few women) worked swing shifts at the mines. With all of the responsibilities of raising four kids and taking care of my Dad’s needs, Mom wrote.
It’s taken me until very recently to realize that therein lies the roots of my writing. One would think that it is a glaringly obvious statement, but her writing was almost never discussed. Ever present, in various locations around the living room, were copies of Redbook, McCalls, and Ladies Home Journal and Reader’s Digest. There were novels by Leon Uris, Anais Nin, William Peter Blatty, Victoria Holt or Mario Puzzo. And then there was the Writer’s Digest – The Bible of writers.
Mom wrote short stories and submitted them to each of the women’s magazines, and received her rejection letters quietly. In fact, her entire writing experience was done quietly. No one ever discussed it. It wasn’t taboo, it just never came up. I was barely aware of it, being so self-absorbed as kids are I do remember her tap tap tapping on her typewriter on days that I was home sick from school. I’ve never read her work. I can only assume that the subject matter would have been appealing to women – based on the magazines that she was submitting to.
She was repressed by time, place, societal norms and expectations. As more time passes since her death a few years ago, I’ve come to see her in a much different light and along with that comes a much deeper appreciation and respect.
She was an avid reader and always encouraged me to do the same, and I did. When I showed an interest in photography, she subscribed to two photography magazines for me. She was a good singer, and when any of us showed an interest in music, she supported it. She was always trying to expand her world. After my father passed away, she married an artist who worked in the painting and sculpture mediums.
She was bigger than her surroundings, but I didn’t appreciate it. I do now, and I am proud of her.
By E.A. Cook
Scarface Billy saw me before I saw him. “Hey Roll-Yer-Own. What’s up, tramp?”
I said “Hi” with my chin, and set my duffel down by his park-bench.
I didn’t expect to see a familiar face in Portland when I crawled out of the boxcar that morning. Night Eyes was sleeping off a drunk under an over-pass when I slipped away and hopped a freight out of Seattle the night before. She wouldn’t cry when she woke-up. Citizens cry. Tramps just move on.
Scarface aimed the neck of his bottle of Thundebird at the other end of the bench, and said,”Sit and light. Chief’s sittin’ there, but he went on a wine run. Been gone awhile.”
I took out the makings, rolled two smokes, and flipped one at Billy. He caught it with his left hand, his right was lifting the bottle to his lips.
“Drink?” He offered in a wine-whisper between swigs. I nodded, reached for the offered bottle, lifted the bottom to the cold, over-cast sky, and let the medicine burn it’s way past my cold heart, into my damaged stomach.
Scarface looked sharply over my shoulder, said”Chief! No!”, when the ham-sized fist found my temple. I half-turned in time to get a glimpse of the big indian before the grey washed over me.
On the way to the ground, I heard “My spot!”. Then the blackness came.
It was dark when I woke up on the ground, right where I fell. Cold rain hit my exposed cheek, while dried blood glued my other cheek to the grass. I hissed the pain through my gritted teeth as I peeled my head from the ground. A young couple on an evening stroll down the bike-path stepped wide and away as they saw me rise from the shadows. Their arrogant, dis-approving eyes watched me closely until they were safely away. “Nasty.” I heard her say. Bitch.
Citizens cry. Tramps just move on.