I’ve only spotlighted one other writer – Craig Johnson- on this sight before, and that was some years ago. Today it’s a writer that I’ve known for a few years named Ray Harvey. I’ve read Ray in small bites before, but this piece drew my envy and admiration. I’ll let it speak for itself. So damn good.
Another Day in the Life
Hypothermia, hunger, addiction, dehydration.
Nicotine, caffeine, ephedrine.
Revulsion, degradation, medication, hallucination, humiliation, resignation.
Freight train, roll yer own, box car, don’t want to die alone.
Street light, street fight, stolen car, fugitive.
Food shelf, soup line, tramp stamps, dumpster dive.
Chased down, locked up, broke down, humbled.
Hypothermia, street fight, chased down…
The Northwoods of Minnesota, in the ’60s and ’70s, was a blue collar enclave of iron mining communities. The women and children worked hard on the home front while the men (and a very few women) worked swing shifts at the mines. With all of the responsibilities of raising four kids and taking care of my Dad’s needs, Mom wrote.
It’s taken me until very recently to realize that therein lies the roots of my writing. One would think that it is a glaringly obvious statement, but her writing was almost never discussed. Ever present, in various locations around the living room, were copies of Redbook, McCalls, and Ladies Home Journal and Reader’s Digest. There were novels by Leon Uris, Anais Nin, William Peter Blatty, Victoria Holt or Mario Puzzo. And then there was the Writer’s Digest – The Bible of writers.
Mom wrote short stories and submitted them to each of the women’s magazines, and received her rejection letters quietly. In fact, her entire writing experience was done quietly. No one ever discussed it. It wasn’t taboo, it just never came up. I was barely aware of it, being so self-absorbed as kids are I do remember her tap tap tapping on her typewriter on days that I was home sick from school. I’ve never read her work. I can only assume that the subject matter would have been appealing to women – based on the magazines that she was submitting to.
She was repressed by time, place, societal norms and expectations. As more time passes since her death a few years ago, I’ve come to see her in a much different light and along with that comes a much deeper appreciation and respect.
She was an avid reader and always encouraged me to do the same, and I did. When I showed an interest in photography, she subscribed to two photography magazines for me. She was a good singer, and when any of us showed an interest in music, she supported it. She was always trying to expand her world. After my father passed away, she married an artist who worked in the painting and sculpture mediums.
She was bigger than her surroundings, but I didn’t appreciate it. I do now, and I am proud of her.
I was a sixteen-year-old boy walking down the short main street of a northern Minnesota iron mining town, looking for friends or trouble to get into. I saw a new bone-white Lincoln Continental parked, facing me, on the street just ahead of me. I took a couple steps closer and saw that inside was a woman in the passenger seat. She was alone and looking directly at me with a slight grin. I stopped then, and if anyone had been around to see me, they would have wondered why I stood frozen on the sidewalk for what seemed like…it seemed like…time stopped.
She was a black woman in a land where one could drive a hundred miles and not see another, but that wasn’t it. It was her breath taking, exotic, sensual beauty. I swear her eyes were made of dark chocolate and gold, and her skin was a copper tone that I had never seen in a movie or magazine. She wore a white felt narrow brimmed Fedora with a feather sticking from the hat band. The longer I stood there, the bigger her smile got, but neither of us was uncomfortable. Just in the moment. I took in the whole image of her in this fine chariot and I knew that my life had been changed.
It was at that moment when the rest of the world found me, and I found the rest of the world.